Wednesday, 12 May 2010

TEAM POWER

Lucy/Me - writer
Parkin - Editor
Alia - Sound
Danny P - Producer
Thom - Camera
Me - Director

We need an art director
ppl I have talked to nicola and verity

also just had another meeting with annie and chris, and alia we CAN have another sound like assistant which is a PLAN that we need to get on
ALIA lol xxxxxx

Thursday, 29 April 2010

Deadline?

When do you need it all by? xxxxx

First pages

Wit’s End

The train pulled up at Peartree station. The platform was desolate; a blank board stood at the verge between the concrete and the trees and an empty glass bottle lay abandoned on its side next to it. The conductor got off the train and walked to the opposite end of the platform, stopped, drew a deep breath, spat, sniffed and got back on to the train. The doors closed and the vessel was soon gone, melting into the dark tunnel ahead.

The one passenger who had left the train that day stood with his back to the track and pulled his coat up around his shoulders. The air was colder here, deeper and more subtle. He couldn’t quite tell whether it was raining or not. There was a silvery mist which hung in the air, almost as though it were raining within the air and not from the clouds above.

The man bent down, picked up the bottle so that it sat on its base and placed in it a single lily from the bunch of flowers he was holding. He then stood up, straightened his hat and turned to the stairs. As he left the station the only noise left was the slow and dulcet tap of water hitting the inside of glass.

He always carried flowers. Every time he went to get on a train, which incidentally had become more and more frequent these days, he would buy a bunch of flowers and sit throughout his journey weighing up the pros and cons of giving the flowers to each individual in the carriage. The most prevalent case was that the flowers would end up in the lap of a pregnant woman, as he saw no greater joy than having a child of ones own. To reproduce was to him essential.

Sometimes there didn’t seem to be any worthy candidates in his carriage and he wondered if he should trawl the whole train from coach A to J and first class too. Maybe, by staying in one coach he was being unfair, people deserved a just judgement and he was denying them this. But usually he found an individual who fitted the requirements and he would quietly walk up to them as he walked towards the doors to leave, place the flowers on their lap and utter a quick and almost silent, ‘Thank you’, before shuffling quickly off the train and darting towards the exit of the relevant station.

Rarely, but nonetheless tiresome, the queue to leave the train was longer than he had anticipated and the flower receiver would have time to get a good look at him, usually of disbelief or sometimes a kind of pity. Mainly they would stare and just say ‘Excuse me, you left your flowers.’ But then he would just reply, ‘No, I meant them to be for you. They’re yours now.’ To which the main answer was (and with a worried expression to match), ‘What’s your name?’
He never told them his name. He didn’t want to familiarise himself with the people, just in case it turned out he had judged them wrongly. So usually he smiled and repeated, ‘They’re yours now.’ By which time he was usually able to escape.

There was one occasion, fairly recently, when he had not been so lucky and the receiver not so pleased. This event had resulted in the arrest of Clement and the dismissal of his employment at Harper-Wooster & Co, as, unfortunately for Clement the woman he had bethroved the flowers to that day was the daughter of his employer and was just coming back from the toilet to find his daughter having flowers shoved towards her by a seemingly mad young man. It was only when Clement turned to see his blotchy faced boss that he knew he should have given the flowers to that man who was reading The Bible to his son, even if he purveyed false hope at least he showed genuine courtesy.

It was with this incident that Clement found himself jobless and with a harassment note on his criminal record. Life goes nowhere without money, and so Clement resolved to find himself employment. A competent and eager hand in most anything he decided to apply for a job as a farm hand advertised in the national paper. He applied on a Monday and to his great shock on the respective Tuesday he received a call from the head grounds man at the house in question.

‘Mr. Worth?’ came an intrusive voice, which spat through the receiver and cleared it of its dusty inhabitants.

‘Yes.’ Clement replied in his quiet voice, not used to being addressed so formally.

‘You enquired about working here?’ And then without waiting for a reply, ‘you start on Friday. And don’t be late.’ The voice on the other end of the line was gruff and sullied by years of toil outdoors. Clement who had not the faintest idea of whether this was indeed the job he had applied for gave a short, ‘Thank you sir, but I am afraid that I do not know where to go.’

The voice replied, ‘Peartree station.’ Followed by a short pause and then what sounded like a low laugh, ‘You’ll know from there.’

‘Oh, thank you. Is there anything I should bring with me?’ said Clement not wanting to be too inquisitive

There was more of that same low gurgling laugh and then, ‘Oh, anything will do here. It’s quite a grand estate mind, so make sure you bring a hat and don’t bother coming if you haven’t any manners.’ And with that he hung up.

Clement was taken a back, but couldn’t help but be relieved. The body he had conjured in his mind was headless.

_____________________________________________________________________

The house was crumbling. The inner shell was whole, but the exterior left sorrow in its surroundings and bashful deceit sat atop its chimneys with a grin upon his face. The soul of the place was cloaked in a deep ash like mist. A sinister smell lurked beneath the blossoming trees that lined the drive and the large sign that read ‘Wit’s End’ was slowly being devoured by a blanket of moss and grubs.

Clement had climbed the stairs at the station and expected to find a pleasant village, maybe somewhere he could buy a drink. The train had been stuffy and his flowers had begun to wilt. There had been no contenders for his flowers on the train that day, and secretly he harboured the thought that maybe there would be someone at the farm whose day he could brighten with the lilies his clammy hands grasped to.

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Lucy Cecil right, read through it. is the location too hard? i mean like what kind of setting would be ideal? i can't think of what would be good to do studio wise? xxx

Tues at 00:46 · · · See Wall-to-Wall
Emily Cecil
Emily Cecil
no no its perfect like ideal as a creative person but from a budget and practicality point of view ekk
I was think about house though and could set that up in a house like borrow someones house for the weekend lol or farm and inside a train you could too cause SIF one of our studios has a green screen or you could back projection like some kinda old film
Tues at 00:49 ·
Lucy Cecil
Lucy Cecil
yeah, i think it would be pretty wick if it had a really faux background out of the windows of the train! haha x
Tues at 00:50 ·
Emily Cecil
Emily Cecil
I KNOW!!
Tues at 00:51 ·
Lucy Cecil

Lucy Cecil just looking through what notes you made now. went to le pub, sorry xx

Tues at 00:43 · · · See Wall-to-Wall
Emily Cecil
Emily Cecil
dam u your not allowed to the pub you MUST write for me lol

no longer my fav
Tues at 00:50 ·
Lucy Cecil
Lucy Cecil
bummer of a summer
Tues at 00:50 ·

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Lucy Cecil oh and it can become eerie. i would like to think it's more of an 'atmospheric romance' HA. well base, he see's these images of a woman at the house who he falls in love with, maybe. and it can be scary. but it ends really well. I just wanted to know if you liked it at all before I develop it, you know? x

Tues at 00:48 · · · See Wall-to-Wall
Emily Cecil
Emily Cecil
yea I get how you want me to like it before you devolp it
umm yea I do atmospheric good --- can it be a ghostly women (she doesn't have to be ghost persay but maybe an idea what you think)
Tues at 00:51 ·
Lucy Cecil
Lucy Cecil
yeah, i was thinking she was going to be kind of fairyesque...in that she giggles and shit. AND ITS CREEPY. WOO
Tues at 00:52 ·
Emily Cecil
Emily Cecil
sorry bout the horrific spelling
Tues at 00:52 ·
Lucy Cecil
Lucy Cecil
pfft, like i'm not used to it.
Tues at 00:52 ·
Emily Cecil
Emily Cecil
kk

remember we do want dialogue at some point and the story should follow like the plot points - but I trust you with that
but so far LOVing it!
...See more
Tues at 00:54 ·
Lucy Cecil
Lucy Cecil
yeah! set up a blog spot boyyy. i will get on it. do you need the whole thing by the end of the week?
Tues at 00:55 ·
Lucy Cecil
Lucy Cecil
not particularly. i don't like the strap across them...eww
Tues at 00:56 ·
Emily Cecil
Emily Cecil
mm yea i though as much
umm not essentially but a rough like just so i get the story like
for example Cinderella gets shoe loses shoe gets man loses man etc etc
I KNOW thats not the way you write but an idea ish would be good
...See more
Tues at 01:03 ·
Lucy Cecil
Lucy Cecil
Mate... that is pretty much what happens! HAHA. I will write a really brief overview for you and then send it you. HAH ('send it you' what good english) yeah, and then I can write it better. YEAH?
Tues at 01:05 ·
Lucy Cecil
Lucy Cecil
Mate... that is pretty much what happens! HAHA. I will write a really brief overview for you and then send it you. HAH ('send it you' what good english) yeah, and then I can write it better. YEAH?
Tues at 01:06 ·
Emily Cecil
Emily Cecil
really so much so it happens twice sent u a blog invite to corner account ; )
PLEASE play with colours
I am sleeping now cause I have to be at uni at 9 am
Tues at 01:16 ·
Lucy Cecil
Lucy Cecil
okizehh... colours can be done. ahaha my internet was just fucking up, sorry. yeah, cool cool beans. night x
Tues at 01:26 ·
Emily Cecil
Emily Cecil
Morning ahhhhh me need sleep!!! Got to excited about this story kept having ideas xx

Wednesday, 28 April 2010

Tuesday, 27 April 2010

NEXT YEAR

I have just spoken to my tutor about this and next year and EKK

I was doing art direction and produciton

BUT

now I am doing
..

Directing and Producing (which means to major roles) but she said if anyone can do it I could - she liken me to Hermione : )

SOO this means that I am official the Director now for this piece and not the producer pretending to be the director

and then in someone else's piece I am going to be the Producer which is fine cause I don't HAVE to like their piece just organize it which I enjoy
BTW
I have made this blog private view so only ppl I say can read it cause otherwise EVERYONE can steal our idea bad times

oh must go get a camera out of stores

xxxxx

mmmm

Yea I don't know if I enjoy the army chic I like the font but maybe not the green

Does the story all happen in one day? Is he kinda umm simple (ek) I don't like that word he is not really clever but most defiantly a dreamer right???

Yea I like the story so the woman ( who is WELL creepy)(lol) is she like a test of his goodness like temptation

Xx

Monday, 26 April 2010

The basic plot

After Clement gets to the farm he begins to see fleeting visions of a beautiful woman, whom he soon falls head over heels in love with. He can never quite get to her, and all he wants is to give her a flower. ( Keep in mind, she is well creepy) He finally encounters her really late at night (in a very scary manner...very 'Woman in Black', don't know if you know it, but yeah.) Not quite sure, but is not ever going to be able to get her, but realises that he must leave and continue his own story. He goes back to the station to get a train and the dead lily in the overflown bottle reminds him to buy some new flowers when he gets home.

Basically, you think he has learnt. But he hasn't. Or maybe he has, and his salvation is the knowledge that he was always good, and didn't need to be affirmed.

I don't know. You can butcher it a bit to suit you, I don't mind.

This page is well...

army chic. NICE.

LUCY

HI your my only friend here I may give you admin rights cause you are better at bloggy things